Though the references to religion, and the importance of Donne’s faith to his work in general, raise the possibility that the “love” described in “The Good-Morrow” might be seen as religious in nature, ultimately the poem makes clear that the lover is as mortal as the speaker. Most significantly, the experience of awakening the poem describes is understood to be shared by both the speaker and his lover, which wouldn’t be the case if “thou” were a stand-in for God or Christ. Other than this, however, we’re told next to nothing about the speaker’s lover, though from context it’s safe to assume that his love is reciprocated, rather than one-sided.